Art cube Home Sweet Suburbia (July 17th-September 22nd 2025)
Projection mapped 24/7 looping installation of Florida suburbs through the lens of surveillance, nostalgia, and environmental unease. Score composed by Zouri Eve.


                                                                    

Curated by Pat Greene (left) , director of The Corridor Project, in collaboration with Interstruct’s Ryan Young (right).
https://interstructinc.com/home-sweet-suburbia-opens-july-17-at-the-artcube-gallery/
                                  

“DANCE PRINCESS!” (NOV 2025)

Shot on Super8 (100D) processed by Mike Long. Located on Zouri's Family's farm. Hand spliced with scissors, tape, sewing needles and pins. Removal methods such as hand scratching, bleaching, nail polish remover, and other deteriorating chemicals included-inspired by Naomi Uman's "Removed" and "Nymphomania" by Tessa Hughes-Freeland.

Thank you to Jimmy Schaus, who taught me the fundamentals of destroying film.

Styled by Charlotte Britt

Music composition performed and by Zouri Eve (tape distortion performed by Christian Pedigo) titled "with electronics" including piano, analog synthesizer, and tape distortion of the piece Pavane "pour une infante défunte" composed by Maurice Ravel @ UCF rehearsal hall 11/16/25





Enzian Central Florida Film Slam (2024)
Phosphenes 2024 - A direct animation hand painted on 16mm composed of nail polish, magazine cut-outs, and an assortment of other fluids.





Timucua Arts Foundation 16mm Direct Animation (2024)
in the palm of my small hands 2024 — Visuals for music composition by Zouri Eve. A hand-painted cameraless 16mm analog projection inspired by the idea of drifting into sleep and ascending into a dream realm where anything you want can happen.







Thank you to the UCF New Music Ensemble, directed by Dr. Thad Anderson, UCF film equipment department, UCF Experimental Professor Jimmy Schaus, and Benoit Glazer for making it happen.



Bynx Olrando A(ug)24 Film Showcase (2024)
Grandma and Grandpa 2024 — My family’s personal archive of life in the 1950s-1960s filmed through the eyes of my Grandma and Grandpa. You can tell when my Grandma Margret had the camera — you’ll see flowers and family vs. when my Grandpa Jack had the camera — you’ll see automobiles, boats, and aviation. The score was one of their favorites, Smoke Gets In Your Eyes by The Platters 1959.




Angel Numbers (2024, Jacksonville, FL)






Girl (2024)


Talk Sweet 2 Me (2024)



Decasia Fashion Show Visuals (2025)
Installation one — Archival loop projected on cloth
Installation two— Live feedback projection on furniture, cloth, and decor.




UCF Experimental exhibit and screening (March 2024 @ UCF downtown campus) “Life of the Party” — an immersive experience which allows the viewer to walk inside a tent with no projector in sight — the installation is rear projected roughly 10ft away from the tent. With color-changing lights on the two outside corners.
Inside: two chairs, two pairs of headphones, and loose party decor.

As the film progresses, the quality of film deteriorates, such as the fragility of the psyche throughout a party. Working with super 8, hi8, digital, and cameraless filmmaking, this party begins to live and breathe. In a post. The sound design uses audio from parties attended over the course of years.





Apt #302



Other:
Orlando Art Collectives
Photography
Poetry